{"id":476,"date":"2021-08-07T11:15:24","date_gmt":"2021-08-07T08:15:24","guid":{"rendered":"https:\/\/demo.pinaruretmen.com\/?p=476"},"modified":"2021-08-07T11:15:24","modified_gmt":"2021-08-07T08:15:24","slug":"okuyucu","status":"publish","type":"post","link":"https:\/\/pinaruretmen.com\/?p=476","title":{"rendered":"Okuyucu"},"content":{"rendered":"\n
\"okuyucu-film\"
\u00a0Tutkunun \u00d6l\u00fcm Hali: Okuyucu ( The Reader )<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Okuyucu ( The Reader ), tutkunun; hazz\u0131 ve ac\u0131y\u0131 ayn\u0131 anda ya\u015fatan o yak\u0131c\u0131 duygunun, sanatsal tarifi. Ahlaki normlara g\u00f6re onaylanmayan bir a\u015fk\u0131n yan\u0131 s\u0131ra kanla yaz\u0131lm\u0131\u015f bir \u00fclke tarihinin, hem lanetlenmesinin hem de affedilmesinin anlat\u0131m\u0131. Bir ka\u00e7\u0131\u015f\u0131n, ger\u00e7eklikten ve kendinden ka\u00e7man\u0131n hik\u00e2yesi.<\/p>\n\n\n\n

 Ka\u00e7mak istedi\u011fimizde, hele ki asla ka\u00e7amayaca\u011f\u0131m\u0131z bir ki\u015fiden uzakla\u015fmaksa ama\u00e7, nereye gideriz? Hangi yola sapar, hangi k\u00f6\u015feye sineriz? Kendimizden ka\u00e7mak, kurtulmak, bir daha asla g\u00f6rmemek, affetmemek \u00fczere gitmek istedi\u011fimizde peki? Hangi kuytu saklar bizi? Hangi duygu sar\u0131p sarmalar hem gideni hem terk edileni? Belki kendi varl\u0131\u011f\u0131nda g\u00f6rmek istemedi\u011fini yabanc\u0131la\u015fma k\u0131l\u0131f\u0131yla \u00f6rtebilir ya da yak\u0131c\u0131 bir tutkunun pe\u015fine tak\u0131l\u0131p g\u00f6zlerini k\u00f6r eder insan. \u0130\u015fte Hanna Schmitz’ de b\u00f6yle yap\u0131yor. Bu iki duyguya sar\u0131l\u0131yor; yabanc\u0131la\u015fma ve tutkuya. Ger\u00e7ek d\u00fcnyadan, kendi ger\u00e7ekli\u011finden ve varolu\u015fundan kopuk, ya\u015fananlar\u0131 ve nedenleri hi\u00e7 sorgulamad\u0131\u011f\u0131 bir d\u00fcnya yarat\u0131yor. Ve o d\u00fcnyaya derin tutkular dam\u0131t\u0131yor. Uzaklara ka\u00e7madan, ka\u00e7\u0131yor kendinden.<\/p>\n\n\n\n

 Okuyucu, ger\u00e7ek bir ya\u015fam \u00f6yk\u00fcs\u00fc \u00fczerine kurgulanan ve Bernhard Schlink\u2019 in ayn\u0131 adl\u0131 roman\u0131ndan uyarlanan bir film. Senaryosu David Hare taraf\u0131ndan yaz\u0131lm\u0131\u015f, y\u00f6netmense Stephen Daldry. 2009 y\u0131l\u0131nda hemen hemen t\u00fcm \u201c en iyi kad\u0131n oyuncu \u201d \u00f6d\u00fcllerini Kate Winslet\u2019 in almas\u0131n\u0131 sa\u011flayan film, t\u00fcm oyuncular\u0131n performanslar\u0131 ve \u00e7arp\u0131c\u0131 konusuyla mutlaka izlenmesi gereken filmler listesinde yer almal\u0131 diyebilirim. Filmin ba\u015fkahraman\u0131 Michael Berg\u2019 in gen\u00e7lik y\u0131llar\u0131n\u0131 canland\u0131ran David Kross\u2019 un ve olgunluk d\u00f6nemini oynayan Ralph Fiennes\u2019 in oyunculuk performanslar\u0131 da son derece ba\u015far\u0131l\u0131.<\/p>\n\n\n\n

 Film Ne Anlat\u0131r?<\/strong><\/p>\n\n\n\n

 Baz\u0131 filmler hakk\u0131nda yorum yazarken, hik\u00e2yesi \u00fczerine olabildi\u011fince az bilgi vermek elzemdir. \u00c7\u00fcnk\u00fc \u00e7arp\u0131c\u0131 detaylar\u0131 anlatman\u0131n, -onu izleyecek olanlara- b\u00fcy\u00fck haks\u0131zl\u0131k olaca\u011f\u0131 filmler vard\u0131r ki, Okuyucu da b\u00f6yle filmlerdendir. Hik\u00e2yenin ne oldu\u011fu kadar nas\u0131l anlat\u0131ld\u0131\u011f\u0131n\u0131n da \u00f6nemli oldu\u011fu filmlerden yani. \u0130zleyici her yolda kendi soluklanmal\u0131, i\u00e7 hesapla\u015fmalar\u0131n\u0131, y\u00fczle\u015fmelerini, \u00f6zele\u015ftiri ve sorgulamalar\u0131n\u0131 kendi deneyimlemelidir, aksi takdirde ya\u015fan\u0131lan sezgisel anlay\u0131\u015f\u0131n b\u00fcy\u00fcs\u00fc bozulur, s\u0131radan bir hayat dersine d\u00f6n\u00fc\u015f\u00fcr. O halde, filmin sadece ana hatlar\u0131n\u0131 \u00e7izerek i\u00e7inde yatan cevhere; duygusal, duyusal, felsefi ve ahlaki sorgulamalara yo\u011funla\u015fabiliriz. Film \u00fc\u00e7 ayr\u0131 zamanda ya\u015fananlar\u0131, \u00fc\u00e7 ayr\u0131 hik\u00e2ye \u015feklinde veriyor: birbirine s\u0131k\u0131 iplerle ba\u011fl\u0131 \u00fc\u00e7 ya\u015fam hik\u00e2yesi…<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

 Y\u0131l 1958…<\/strong><\/p>\n\n\n\n

 Yer, 2. D\u00fcnya Sava\u015f\u0131 sonras\u0131 yaralar\u0131n\u0131 saran Almanya. Michael Berg, yani filmimizin ba\u015f kahraman\u0131 hen\u00fcz on be\u015f ya\u015f\u0131ndayken yolda fenala\u015f\u0131r. Bir apartman\u0131n kap\u0131s\u0131nda kusarken bir kad\u0131n gelerek ona yard\u0131mc\u0131 olur ve evine sa\u011f salim ula\u015fmas\u0131n\u0131 sa\u011flar.  Bula\u015f\u0131c\u0131 bir hastal\u0131k olan k\u0131z\u0131l humma nedeniyle evde \u00fc\u00e7 ay yatmak zorunda kalan Michael, iyile\u015fir iyile\u015fmez kad\u0131na te\u015fekk\u00fcr etmeye gider. Hanna, tek ba\u015f\u0131na ya\u015fayan otuz be\u015f ya\u015f\u0131nda bir kad\u0131nd\u0131r ve onun yan\u0131nda son derece rahat davran\u0131r. Kad\u0131n\u0131 giyinirken g\u00f6ren \u201c \u00c7ocuk \u201d \u00f6nce ka\u00e7ar ama ertesi g\u00fcn tekrar gelir oraya. Bu ikinci geli\u015f onun ilk cinsellik deneyimi ve s\u0131ra d\u0131\u015f\u0131 bir ili\u015fkinin ba\u015flang\u0131c\u0131 olacakt\u0131r.<\/p>\n\n\n\n

 \u0130li\u015fkilerinde cinsellik hakimdir. C\u00fcretkar sahnelere \u015fahit oluruz Ya\u015f fark\u0131 b\u00fcy\u00fckt\u00fcr. Ahlaki \u00f6n yarg\u0131lar\u0131m\u0131zla \u00e7ok rahats\u0131z edici bir ili\u015fkinin r\u00f6ntgencisi olaca\u011f\u0131m\u0131z hissiyle geri \u00e7ekildi\u011fimiz anda ise bamba\u015fka bir duygusal ger\u00e7ekli\u011fi fark ederiz. Bu ili\u015fki tensel olman\u0131n \u00e7ok \u00f6tesinde ve hatta yatakta bile tensel de\u011fildir. Sevecen bir sevginin, \u015fefkatin, \u00e7ocuksu bir heyecan\u0131n ve hatta kendilerine yaratt\u0131klar\u0131 edebi ve oyunbaz bir d\u00fcnyan\u0131n izleyicisi olarak buluruz kendimizi. Kad\u0131n\u0131n \u00e7a\u011f\u0131rd\u0131\u011f\u0131 ad\u0131yla \u00c7ocuk, kendisinden yirmi ya\u015f b\u00fcy\u00fck bu gizemli kad\u0131na tutkuyla ba\u011flan\u0131r. Her g\u00fcn okuldan sonra ko\u015farak kad\u0131na gider ve kendi ya\u015f\u0131t\u0131 olan k\u0131zlara mesafeli davran\u0131r. \u00c7\u00fcnk\u00fc o kad\u0131n hayat\u0131nda olmayan bir \u015feyi simgeler bir anlamda, evdeki annesinin aksine dokunabildi\u011fi, ula\u015fabildi\u011fi bir kad\u0131nd\u0131r o. Sadece mesafeli ve robotvari bir tav\u0131rla o\u011fluna yakla\u015fan anne, Michael i\u00e7in bu s\u0131ra d\u0131\u015f\u0131 ili\u015fkinin ana tetikleyicisi gibidir. Annesinin g\u00f6zlerinde kendisini bulamayan \u00c7ocuk, annesi ya\u015f\u0131ndaki ba\u015fka bir kad\u0131nla var eder kendisini. Kad\u0131na duydu\u011fu tutkunun i\u00e7eri\u011fini, \u00f6l\u00e7\u00fcs\u00fcn\u00fc, kayna\u011f\u0131n\u0131 ay\u0131rt edemeyecek kadar deneyimsizdir. Sonu\u00e7 ise her k\u0131r\u0131k a\u015fk ac\u0131s\u0131nda oldu\u011fu gibi tutkunun hedefini \u015fa\u015f\u0131rmas\u0131 olur; art\u0131k sadece kad\u0131na de\u011fil, tutkunun ona hissettirdiklerine de tutkundur. Bu nedenle kad\u0131n bir g\u00fcn aniden gitti\u011finde de y\u0131k\u0131l\u0131r.<\/p>\n\n\n\n

 Kad\u0131n da tutkundur ama san\u0131ld\u0131\u011f\u0131 gibi seks oyunlar\u0131na de\u011fil yaratt\u0131\u011f\u0131 di\u011fer d\u00fcnyalara. Adeta ger\u00e7ek d\u00fcnyada var olanlardan, ac\u0131lardan, k\u00f6t\u00fcl\u00fckten ka\u00e7mak ister. Adeta dahil oldu\u011fu hayattan ka\u00e7arak hayali bir evren kurmak ister. Kendini ba\u015fka birine d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc, kendisine ait bir d\u00fcnya yaratt\u0131\u011f\u0131 zamanlarsa sevi\u015fti\u011fi veya kitaplarda anlat\u0131lan farkl\u0131 ya\u015famlar\u0131n i\u00e7ine girdi\u011fi anlard\u0131r. G\u00fcndelik ya\u015fam\u0131nda ukala, mesafeli ve tutars\u0131z davran\u0131\u015flara sahip Hanna sevi\u015firken \u00c7ocuk\u2019 la beraber \u00e7ocuk olur. Donuk y\u00fcz hatlar\u0131 gev\u015fer, g\u00f6zlerinin i\u00e7ine kadar g\u00fcler. Kitap okumas\u0131n\u0131 ister Michael\u2019 den. \u00c7ocuk her g\u00fcn yan\u0131nda ba\u015fka bir kitap getirir. En \u00e7ok Homeros\u2019 un Odysseia Destan\u0131\u2019 n\u0131 sever kad\u0131n. G\u00f6zya\u015f\u0131 d\u00f6ker, \u00fcz\u00fcl\u00fcr, h\u00fcz\u00fcnlenir. B\u00fcy\u00fcl\u00fc bir evrenin i\u00e7indedir. \u00d6z\u00fcnde bir yolculu\u011fu anlatan bu destan onun da yolu, yolculu\u011fu olur. Yatakta \u00e7\u0131r\u0131l\u00e7\u0131plak bir halde, on be\u015f ya\u015f k\u00fc\u00e7\u00fck sevgilisinden Lady Chatterley\u2019 i dinlerken utan\u0131r, k\u0131zar, \u00c7ocuk\u2019 tan ona b\u00f6yle m\u00fcstehcen kitaplar okumamas\u0131n\u0131 ister. \u00c7ocuk\u2019 un kad\u0131na tutkun oldu\u011fu \u00f6l\u00e7\u00fcde tutkundur romanlar\u0131n b\u00fcy\u00fcl\u00fc d\u00fcnyas\u0131na. Ama o d\u00fcnyan\u0131n anahtar\u0131na sahip de\u011fildir, oraya girmek i\u00e7in ba\u015fka birinin yard\u0131m\u0131 gereklidir. \u00c7\u00fcnk\u00fc okuma yazma bilmemektedir. Ve okuma bilmedi\u011fi i\u00e7in kar\u015f\u0131la\u015ft\u0131\u011f\u0131 bir s\u0131k\u0131nt\u0131 sonucunda hem o b\u00fcy\u00fcl\u00fc d\u00fcnyay\u0131 hem de \u00c7ocuk\u2019 u b\u0131rakarak ka\u00e7ar.<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

 Y\u0131l 1966…<\/strong><\/p>\n\n\n\n

 Ald\u0131\u011f\u0131 derin yaralarla yoluna devam eden Michael hukuk fak\u00fcltesinde \u00f6\u011frencidir art\u0131k ve \u00e7ok \u00e7arp\u0131c\u0131 bir duru\u015fmay\u0131 izlemek \u00fczere bir \u00e7al\u0131\u015fma grubuna kat\u0131l\u0131r. Duru\u015fma, 2. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda toplama kamplar\u0131nda bir \u00e7ok Yahudi\u2019 nin \u00f6l\u00fcm\u00fcne sebep olan Nazi gardiyanlar\u0131n\u0131n yarg\u0131lanmas\u0131 \u00fczerinedir. Bir \u00fclke, derin hesapla\u015fmalarla yaralar\u0131n\u0131 sarmaya \u00e7al\u0131\u015fmaktad\u0131r. Ya\u015fananlar i\u00e7in hesap g\u00fcn\u00fcd\u00fcr art\u0131k. Duru\u015fma salonunda Michael\u2019 \u0131 hukuki oldu\u011fu kadar ki\u015fisel bir i\u00e7 hesapla\u015fma beklemektedir. 15 ya\u015f\u0131n\u0131n b\u00fcy\u00fck a\u015fk\u0131, hayat\u0131n\u0131n tutkusu Hanna, yarg\u0131lanan kad\u0131nlar aras\u0131ndad\u0131r.<\/p>\n\n\n\n

 Filmin bu ikinci b\u00f6l\u00fcm\u00fcnde tutku olarak adland\u0131rmaya al\u0131\u015fk\u0131n olmad\u0131\u011f\u0131m\u0131z ama tam da tutkusal bir kabukla sar\u0131p sarmalanan bir sorgulaman\u0131n i\u00e7indeyizdir art\u0131k. Ba\u015fka bir haldir bu, tutkunun \u00f6l\u00fcm hali! Tutkular\u0131n\u0131n cehenneminden ge\u00e7memi\u015f biri, onlar\u0131n hi\u00e7bir zaman \u00fcstesinden gelemez, der Gustav Jung. Birilerine cehennemi ya\u015fatan bir d\u00fcnyan\u0131n duru\u015fmas\u0131d\u0131r burada ya\u015fanan.<\/p>\n\n\n\n

 Hanna Schmitz\u2019 in sorgulamas\u0131, soyk\u0131r\u0131m\u0131n en \u00f6nemli sava\u015f su\u00e7lusu olan Adolf Eichmann\u2019 \u0131 hat\u0131rlat\u0131r bize. Bir Nazi subay\u0131 olan ve \u00e7ok say\u0131da Yahudi\u2019 nin \u00f6l\u00fcm\u00fcnde aktif rol oynayan Eichmann\u2019 \u0131n duru\u015fmas\u0131n\u0131 izleyen Hannah Arendt, K\u00f6t\u00fcl\u00fc\u011f\u00fcn S\u0131radanl\u0131\u011f\u0131 adl\u0131 kitab\u0131nda inceler bu durumu. \u00c7ok tart\u0131\u015fma yaratan ancak o \u00f6l\u00e7\u00fcde de ilgi \u00e7eken ve al\u0131nt\u0131lanan kitab\u0131nda Arendt k\u00f6t\u00fcl\u00fc\u011f\u00fcn s\u0131radan bir \u015fey oldu\u011funu vurgular. B\u00f6ylesi b\u00fcy\u00fck bir cani bile su\u00e7suz oldu\u011funa inanmaktad\u0131r. Eichmann, vatan\u0131 i\u00e7in gerekli olan bir \u015feyi yerine getirdi\u011fini, bunun bir \u00e7e\u015fit vazife ve vatan a\u015fk\u0131 oldu\u011funu belirtir. \u0130\u015fin ilgin\u00e7 yan\u0131 Eichmann su\u00e7suzlu\u011funa ger\u00e7ekten inanmaktad\u0131r. O, sadece emirleri uygulam\u0131\u015ft\u0131r ve ba\u015fka se\u00e7ene\u011fi yoktur. Filmde yer alan duru\u015fmada da Hanna ayn\u0131 derecede \u015fa\u015fk\u0131nd\u0131r. Sorulara cevap verirken adeta olanlar\u0131n ay\u0131rd\u0131nda olmayan, muhakeme yapamayan, ya\u015fad\u0131\u011f\u0131 d\u00fcnyaya yabanc\u0131 bir kad\u0131nla tan\u0131\u015f\u0131r\u0131z. Bir kilisede \u00e7\u0131kan yang\u0131nda -\u00e7ok say\u0131da Yahudi \u00f6lecek olsa bile- karma\u015fa \u00e7\u0131kmas\u0131n diye kap\u0131lar\u0131 a\u00e7mad\u0131\u011f\u0131n\u0131 s\u00f6yler. Onun g\u00f6revi d\u00fczeni sa\u011flamakken nas\u0131l b\u00f6yle bir \u015feye izin verebilece\u011fini sorar. Hakime, neden b\u00f6yle bir \u015feyin soruldu\u011funu anlamayarak ve \u015fa\u015fk\u0131n bir \u015fekilde \u201c Siz olsayd\u0131n\u0131z ne yapard\u0131n\u0131z ki? \u201d diye cevap verir. T\u00fcm bunlar hen\u00fcz \u00c7ocuk\u2019 la tan\u0131\u015fmadan \u00f6nce ya\u015fanm\u0131\u015ft\u0131r. Kate Winslet, muhte\u015fem bir oyunculukla yans\u0131t\u0131r perdeye Hanna\u2019 n\u0131n kendisine yabanc\u0131la\u015fm\u0131\u015f hallerini. \u0130\u015fte Michael ile birlikte olan Hanna\u2019 n\u0131n tuhaf davran\u0131\u015flar\u0131n\u0131 o zaman anlar\u0131z. Ger\u00e7ek d\u00fcnyaya olan mesafesini. Kendine yabanc\u0131la\u015fmas\u0131n\u0131. Kendinden ve an\u0131lar\u0131ndan ka\u00e7mak ad\u0131na tutkuyla kitaplara ba\u011flanmas\u0131n\u0131. Kitaplar\u0131n i\u00e7inde yaratt\u0131\u011f\u0131 d\u00fcnyay\u0131.  Tutkuyla sevi\u015fmesini. Hayata tutunabilmek ad\u0131na yapt\u0131klar\u0131n\u0131.<\/p>\n\n\n\n

 Bir \u00fclke tarihinin sorgulamas\u0131d\u0131r bu duru\u015fma ayn\u0131 zamanda. T\u00fcm bunlar ya\u015fan\u0131rken sessiz kalarak asl\u0131nda bir \u00e7e\u015fit su\u00e7 ortakl\u0131\u011f\u0131 yapan sessiz kitlelerin vicdani hesapla\u015fmas\u0131 da yans\u0131r ekrana. Sessiz y\u0131\u011f\u0131nlar\u0131n sessizli\u011fi ne derece su\u00e7ludur? Teti\u011fi \u00e7eken kadar o silah\u0131n kalkmas\u0131na engel olmayanlar da su\u00e7lu de\u011fil midir? Bilip de susanlar? Onlar\u0131 sokmayan y\u0131lan\u0131 g\u00f6rmezden gelenler? \u00c7o\u011funlu\u011fun sesine, bir kakafonik g\u00fcr\u00fclt\u00fc olsa bile, tempo tutanlar?<\/p>\n\n\n\n

 Neyin ahlaki neyin hukuksal su\u00e7 oldu\u011funu sorgular\u0131z. Su\u00e7 diyebilmek i\u00e7in kas\u0131t olmas\u0131n\u0131n \u00f6nemini. Ve hayat kurtaracaksa bile bir s\u0131rr\u0131 \u2013o s\u0131rr\u0131n sahibinin r\u0131zas\u0131 d\u0131\u015f\u0131nda- a\u00e7\u0131klaman\u0131n do\u011fru olup olmad\u0131\u011f\u0131n\u0131n o \u00e7\u00f6z\u00fcms\u00fcz ikilemini.<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

 Y\u0131l 1983…<\/strong><\/p>\n\n\n\n

 Hanna hapistedir. Art\u0131k bir baba ve bir avukat olan \u00c7ocuk, gen\u00e7lik tutkusu olan kad\u0131na bir hediye verecektir. Hanna\u2019 n\u0131n en b\u00fcy\u00fck tutkusunu ger\u00e7ekle\u015ftirmesinin anahtar\u0131d\u0131r bu hediye. Tutkuyla yapar bunu. \u015eefkat ve sevgi rengine b\u00fcr\u00fcnm\u00fc\u015f bir tutkuyla. Filmin en \u00e7arp\u0131c\u0131 ama o derecede de izleyicinin ki\u015fisel deneyimine b\u0131rak\u0131lmas\u0131 gereken b\u00f6l\u00fcm\u00fcd\u00fcr buras\u0131.   Tutkunun y\u0131k\u0131c\u0131l\u0131ktan \u00e7\u0131karak yaratmaya, onarmaya, \u00e7are olmaya d\u00f6n\u00fc\u015fen formudur izledi\u011fimiz.<\/p>\n\n\n\n

 Tutkunun Rengi…<\/strong><\/p>\n\n\n\n

 Asla \u015feffaf ve renksiz de\u011fildir tutku, renkleri vard\u0131r. Kaynak ald\u0131\u011f\u0131 \u00f6zneden y\u00f6neldi\u011fi nesneye do\u011fru harekete ge\u00e7ince belirir o renk. \u00d6z\u00fcnde a\u015fk, ihtiras, \u015fehvet ta\u015f\u0131yorsa, k\u0131rm\u0131z\u0131d\u0131r mesela. \u00d6teki olana, ayk\u0131r\u0131 say\u0131lana y\u00f6nelen tutkuysa en s\u0131cak renk olan mavidir. \u0130deolojilere, fikirlere saplan\u0131p bir kur\u015fun gibi hareket eden tutku toprak rengidir. G\u00f6rev a\u015fk\u0131, vatan a\u015fk\u0131, aidiyet tutkular\u0131ysa asker ye\u015fili. Renkleri gibi tutkular\u0131n da t\u00fcrl\u00fc halleri, g\u00f6r\u00fcn\u00fcmleri, ya\u015fam mecralar\u0131 ve y\u0131k\u0131m alanlar\u0131 vard\u0131r. Her ne kadar ilk \u00e7a\u011fr\u0131\u015f\u0131mda bireysel haz-ac\u0131 hanesine dahil saysak da, felsefi, sosyolojik, dini, kat\u0131, s\u0131v\u0131 ve \u00f6l\u00fcm halleri vard\u0131r tutkular\u0131n.<\/p>\n\n\n\n

 Bir filmi ger\u00e7ek g\u00f6r\u00fcnt\u00fclerle anlamland\u0131rmay\u0131z. Bu bak\u0131\u015f g\u00fcnl\u00fck hayat\u0131n alg\u0131sal zeminidir, sanat\u0131n de\u011fil. Sinema, g\u00f6r\u00fcneni ve o g\u00f6r\u00fcnenin arkas\u0131nda yatan kavram\u0131 verir izleyicisine. Yani hem a\u00e7\u0131k anlam\u0131 hem de yan\/\u00f6rt\u00fck\/gizli\/ aranarak kavranacak anlam\u0131. Diyebiliriz ki Okuyucu filmi i\u00e7erdi\u011fi yan yollarla, alt metinlerle, \u00f6rt\u00fck anlamlarla, soyut kavramlar\u0131n ald\u0131\u011f\u0131 renklerle dolu bir filmdir. En yak\u0131c\u0131 ve y\u00fczle\u015fmesi zor duygular\u0131n anlat\u0131m\u0131d\u0131r. Tutkunun \u00f6l\u00fcm halidir.<\/p>\n\n\n\n

 Film Hakk\u0131nda K\u0131sa K\u0131sa…<\/strong><\/p>\n\n\n\n

 Kitap ve dolay\u0131s\u0131yla film bir hukuk profes\u00f6r\u00fc olan Schlink\u2019 in hayat hikayesidir. Bu otobiyografik romanla yazar hem kendi ge\u00e7mi\u015fiyle hem de Almanya\u2019 n\u0131n ge\u00e7mi\u015f ya\u015fam\u0131yla y\u00fczle\u015fir.<\/p>\n\n\n\n

 Kitab\u0131n yazar\u0131 Schlink, sonraki y\u0131llarda filmin yap\u0131mc\u0131s\u0131 Weinstein \u015firketinden tek kuru\u015f almad\u0131\u011f\u0131 iddias\u0131yla dava a\u00e7m\u0131\u015ft\u0131r.<\/p>\n\n\n\n

 Filmin \u00e7ekim s\u0131ras\u0131nda gen\u00e7 oyuncu David Kross hen\u00fcz 18 ya\u015f\u0131nda olmad\u0131\u011f\u0131 i\u00e7in \u00e7ekimlere onun 18. ya\u015f g\u00fcn\u00fcne kadar ara verilmi\u015ftir.<\/p>\n\n\n\n

 Y\u00f6netmen Stephen Daldry filmin Hanna Schmitz rol\u00fc i\u00e7in \u00f6nce The Hours ( Saatler ) filminde beraber \u00e7al\u0131\u015ft\u0131\u011f\u0131 Nicole Kidman  ile anla\u015fm\u0131\u015f ama sonra Kidman hamileli\u011fi nedeniyle \u00e7ekilince rol\u00fc Kate Winslet alm\u0131\u015ft\u0131r. Ve hem film hem Winslet i\u00e7in iyi ki \u00f6yle olmu\u015ftur.<\/p>\n\n\n\n

 Film tam olarak bol \u00f6d\u00fcll\u00fc tabirinin temsilidir. Kate Winslet\u2019 in en iyi kad\u0131n oyuncu dal\u0131nda Oscar\u2019 \u0131 kazanmas\u0131 yan\u0131nda BAFTA, Akademi, Alt\u0131n K\u00fcre ve SAG taraf\u0131ndan pek \u00e7ok dalda \u00f6d\u00fcle lay\u0131k g\u00f6r\u00fcl\u00fcr.<\/p>\n\n\n\n

 * Bu yaz\u0131 Psikesinema Dergisi Tutku say\u0131s\u0131nda yay\u0131mlanm\u0131\u015ft\u0131r.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Okuyucu ( The Reader ), tutkunun; hazz\u0131 ve ac\u0131y\u0131 ayn\u0131 anda ya\u015fatan o yak\u0131c\u0131 duygunun, sanatsal tarifi. Ahlaki normlara g\u00f6re onaylanmayan bir a\u015fk\u0131n yan\u0131 s\u0131ra kanla yaz\u0131lm\u0131\u015f bir \u00fclke tarihinin, hem lanetlenmesinin hem de affedilmesinin anlat\u0131m\u0131. Bir ka\u00e7\u0131\u015f\u0131n, ger\u00e7eklikten ve kendinden ka\u00e7man\u0131n hik\u00e2yesi.<\/p>\n","protected":false},"author":1,"featured_media":422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[25],"class_list":["post-476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sinema-kosesi","tag-film"],"yoast_head":"\nOkuyucu | Dr. P\u0131nar \u00dcretmen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinaruretmen.com\/?p=476\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Okuyucu | Dr. P\u0131nar \u00dcretmen\" \/>\n<meta property=\"og:description\" content=\"Okuyucu ( The Reader ), tutkunun; hazz\u0131 ve ac\u0131y\u0131 ayn\u0131 anda ya\u015fatan o yak\u0131c\u0131 duygunun, sanatsal tarifi. 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