{"id":470,"date":"2021-08-07T11:06:01","date_gmt":"2021-08-07T08:06:01","guid":{"rendered":"https:\/\/demo.pinaruretmen.com\/?p=470"},"modified":"2021-08-07T11:06:02","modified_gmt":"2021-08-07T08:06:02","slug":"ucurtma-avcisi","status":"publish","type":"post","link":"https:\/\/pinaruretmen.com\/?p=470","title":{"rendered":"U\u00e7urtma Avc\u0131s\u0131"},"content":{"rendered":"\n
\"ucurtma-avcisi-film\"
U\u00c7URTMA AVCISI: Bir Babal\u0131k Hik\u00e2yesi<\/strong>
<\/figcaption><\/figure><\/div>\n\n\n\n
<\/div>\n\n\n\n

\u201c Dostum, \u00e7ocuklar boyama kitab\u0131 de\u011fildir,
onlar\u0131 istedi\u011fin renge boyayamazs\u0131n. \u201d<\/p>\n\n\n\n

 Bir zamanlar uzak bir Do\u011fu \u00fclkesinde \u00e7ok iyi anla\u015fan iki arkada\u015f ya\u015farm\u0131\u015f. Adlar\u0131 Amir ve Hasan\u2019 m\u0131\u015f. Her ne kadar zengin ve uygar bir mutluluk diyar\u0131 de\u011filse de bu \u00fclke, hen\u00fcz \u00e7ok g\u00fczel bir yermi\u015f. G\u00fclmek yasak de\u011filmi\u015f h\u00e2l\u00e2. \u00d6zg\u00fcrl\u00fc\u011f\u00fcn \u00f6l\u00fcmle yer de\u011fi\u015ftirmeden az \u00f6nceki zamanlar\u0131ym\u0131\u015f. \u00c7ocuklar sokaklarda \u00f6zg\u00fcrce ko\u015far, u\u00e7urtmalar u\u00e7ururmu\u015f.<\/p>\n\n\n\n

 Bir do\u011fu masal\u0131 U\u00e7urtma Avc\u0131s\u0131. Ancak mutlu \u00e7ocuklar\u0131n, refah \u00fclkelerin, krallar\u0131n, prenslerin oldu\u011fu, sonunda herkesin murad\u0131na erdi\u011fi bir masal de\u011fil ne yaz\u0131k ki. Bu, babalar\u0131n ve o\u011fullar\u0131n masal\u0131. Bir \u00fclke yok olmaya ko\u015far ad\u0131m giderken o\u011flunu korumaya \u00e7al\u0131\u015fan babalar\u0131n, ya\u015fama tutunmaya \u00e7al\u0131\u015fan o\u011fullar\u0131n, ac\u0131lar\u0131n, \u00f6zlemin masal\u0131. Ger\u00e7ek hayat\u0131n aynaya d\u00fc\u015fen aksi yani.<\/p>\n\n\n\n

 Halid H\u00fcseyini\u2019 nin ayn\u0131 adl\u0131 kitab\u0131ndan uyarlanan U\u00e7urtma Avc\u0131s\u0131, y\u00f6netmen Marc Foster taraf\u0131ndan 2007 y\u0131l\u0131nda \u00e7ekilmi\u015f. Film 1978 – 2000 y\u0131llar\u0131 aras\u0131nda ve Kabil – San Francisco hatt\u0131nda ya\u015fanan bir ki\u015fisel dram\u0131 insanl\u0131k dram\u0131na ustal\u0131kla birle\u015ftiriyor. Afganistan hakk\u0131nda, hatta Orta Do\u011fu hakk\u0131nda yap\u0131lm\u0131\u015f en iyi filmlerden biri kabul ediliyor. Elbette bunun nedenlerinin ba\u015f\u0131nda \u00e7ok ba\u015far\u0131l\u0131 bir romandan uyarlanm\u0131\u015f olmas\u0131 geliyor. Ancak bunun yan\u0131nda hem g\u00f6rsel sahneleri hem de m\u00fczikleriyle izleyiciyi duygusal atmosfere d\u00e2hil etmedeki ba\u015far\u0131s\u0131n\u0131n etkisini de es ge\u00e7memek gerekir. S\u00fcslemeden, gizlemeden yans\u0131tm\u0131\u015f co\u011frafyay\u0131 perdeye. Kerpi\u00e7 evler, toz toprak i\u00e7inde sokaklar, o sokaklarda oynayan \u00e7ocuklar, seyyar sat\u0131c\u0131lar, yollarda yemek satanlar, ezan sesleri bizler i\u00e7in \u00e7ok tan\u0131d\u0131k. Oyuncular\u0131n, en ba\u015fta Hasan olmak \u00fczere \u00f6zellikle \u00e7ocuk oyuncular\u0131n bu ba\u015far\u0131ya katk\u0131s\u0131 da hat\u0131r\u0131 say\u0131l\u0131r \u00f6l\u00e7\u00fcde. Foster, izleyicinin filmden bo\u011faz\u0131nda bir yumru ve akl\u0131nda deli sorularla \u00e7\u0131kmas\u0131n\u0131 sa\u011fl\u0131yor, \u00fcstelik kan, \u015fiddet, ajitasyon sahnelerine a\u011f\u0131rl\u0131k vermeden, do\u011fall\u0131kla, d\u00fc\u015f\u00fcnsel bir yol a\u00e7arak. Her ne kadar kapitalist bir Amerikan r\u00fcyas\u0131n\u0131n do\u011fuya bak\u0131\u015f\u0131n\u0131 ve \u0130slamofobiyi yans\u0131tt\u0131\u011f\u0131 gibi bir ele\u015ftirel yorum yap\u0131labilirse de ben filmin felsefi boyutunun bu bak\u0131\u015f\u0131 a\u015ft\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n\n\n\n

 Y\u0131l 1978, Kabil, Afganistan… Amir, Afganistan\u2019 da zengin bir ailenin \u00e7ocu\u011fudur. Yanlar\u0131nda u\u015fak olarak \u00e7al\u0131\u015fan Ali\u2019 nin o\u011flu Hasan ile \u00e7ok yak\u0131n arkada\u015ft\u0131r. Beraber oynar, u\u00e7urtma u\u00e7ururlar. Ancak bu arkada\u015fl\u0131kta hep efendi – u\u015fak ili\u015fkisi varl\u0131\u011f\u0131n\u0131 hissettirir. Hasan \u00e7ok ak\u0131ll\u0131 ve cesurdur, Amir ise babas\u0131n\u0131n deyimiyle tuhaf bir \u00e7ocuk; hakk\u0131n\u0131 arayamayan, p\u0131s\u0131r\u0131k, korkak. Mahallenin \u00e7ocuklar\u0131 alay eder onunla. Amir i\u00e7in di\u011fer \u00e7ocuklarla kavga eden, onu koruyansa Hasan olur hep. Amir hik\u00e2yeler yazmay\u0131 sever, kavgac\u0131 bir \u00e7ocuk de\u011fildir. Su\u00e7luluk duygusu g\u00f6lgesi olmu\u015ftur adeta \u00e7\u00fcnk\u00fc annesini kendisinin \u00f6ld\u00fcrd\u00fc\u011f\u00fcne ve bu nedenle babas\u0131n\u0131n ondan nefret etti\u011fine inanmaktad\u0131r. Annesi onu do\u011fururken \u00f6lm\u00fc\u015f, onu hi\u00e7 tan\u0131mam\u0131\u015ft\u0131r.<\/p>\n\n\n\n

 Bir u\u00e7urtma yar\u0131\u015f\u0131 sonras\u0131 kaybolan u\u00e7urtmay\u0131 almaya giden Hasan\u2019 \u0131 aramaya \u00e7\u0131kar, Amir ve Hasan\u2019 \u0131n hayat\u0131n\u0131 derinden etkileyecek bir olaya tan\u0131k olur. Ancak Hasan\u2019 a yard\u0131m etmez, susar, korkar, ka\u00e7ar. Bu korkakl\u0131\u011f\u0131 sonucunda ya\u015fad\u0131\u011f\u0131 vicdani bask\u0131, su\u00e7luluk duygusunu tetikleyecek ve ba\u015f edemedi\u011fi bu duygudan kurtulamay\u0131nca arkada\u015f\u0131 Hasan\u2019 dan kurtulmak isteyecektir. Onu h\u0131rs\u0131zl\u0131kla su\u00e7layarak evden gitmesini sa\u011flar. Temel neden ilk bak\u0131\u015fta kendi hatas\u0131yla y\u00fczle\u015fememesi olarak g\u00f6r\u00fclse de Hasan\u2019 a duydu\u011fu \u00f6fkenin \u00e7ok daha derin bir nedeni vard\u0131r: k\u0131skan\u00e7l\u0131k. Amir, babas\u0131n\u0131n Hasan\u2019 \u0131 \u00f6vmesini kabullenemez. Oysa babas\u0131 Amir\u2019 i yetersiz bulur. Babas\u0131 taraf\u0131ndan onaylanmamas\u0131, korkak olarak g\u00f6r\u00fclmesi, ele\u015ftirilmesiyle ba\u015fa \u00e7\u0131kamaz. Babas\u0131n\u0131n g\u00f6z\u00fcnde y\u00fckselmek ad\u0131na \u2013kendisini yukar\u0131 \u00e7ekemeyince- etraf\u0131ndakileri a\u015fa\u011f\u0131 itmeye \u00e7al\u0131\u015f\u0131r. Amir\u2019 in kendi i\u00e7 evreninde t\u00fcm bu kaotik duygular sava\u015f verirken d\u0131\u015farda da bir sava\u015f\u0131n ayak sesleri duyulmaya ba\u015flar ve Sovyet Ordusu Afganistan\u2019 \u0131 i\u015fgal eder. Hem mollalar hem de kom\u00fcnistler konusunda s\u00f6z\u00fcn\u00fc hi\u00e7 esirgememi\u015f olan babas\u0131n\u0131n o\u011flunu korumak ad\u0131na tek se\u00e7ene\u011fi kal\u0131r: \u00dclkeyi terk etmek. Ve \u00f6nce Pakistan sonra Amerika\u2019 ya uzanan yola ad\u0131m atarlar.<\/p>\n\n\n\n

 Film izleyiciyi \u00e7ok derin insani ve felsefi sorgulamalara davet ediyor. Bir aile anlat\u0131s\u0131n\u0131n i\u00e7inde iyilik \/ k\u00f6t\u00fcl\u00fck, dostluk, k\u0131skan\u00e7l\u0131k, ba\u011fl\u0131l\u0131k, ihanet, cesaret ve korkakl\u0131k duygular\u0131 yerle\u015fmi\u015f. Vicdan, sorumluluk, s\u0131n\u0131f \u00e7at\u0131\u015fmas\u0131, \u0131rk\u00e7\u0131l\u0131k, \u00f6zg\u00fcrl\u00fck ve yobazl\u0131k ikilemleri film boyunca hik\u00e2yeye e\u015flik ediyor. Ancak t\u00fcm bu derin, d\u00fc\u015f\u00fcnsel katmanlar\u0131n yan\u0131 s\u0131ra filmin en can al\u0131c\u0131, vurucu darbesinin baba \/ o\u011ful zeminine yerle\u015fti\u011fi s\u00f6ylenebilir.<\/p>\n\n\n\n

 Filmin ana zemininde yer alan baba \/ o\u011ful \u00e7at\u0131\u015fmas\u0131n\u0131 iki alt ba\u015fl\u0131kta ele alabiliriz. Biri biyolojik baba \/ o\u011ful di\u011feri de ideolojik baba \/ o\u011ful kar\u015f\u0131tl\u0131\u011f\u0131d\u0131r. Biyolojik \u00e7at\u0131\u015fmay\u0131 Amir ve babas\u0131 temsil eder filmde. \u0130deolojik \u00e7at\u0131\u015fmaysa Afganistan\u2019 \u0131n t\u00fcm h\u00fccrelerine, tarihine, y\u00f6netimine n\u00fcfuz eden iktidaryal baba imgesidir.<\/p>\n\n\n\n

 Biyolojik Baba:<\/strong><\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

Amir ve babas\u0131 aras\u0131ndaki ili\u015fkinin iktidar sava\u015f\u0131 ve erk \u00fczerinden de\u011fil, onay ve takdir arzusu \u00fczerinden kurguya d\u00e2hil oldu\u011funu s\u00f6yleyebiliriz. Kendisini do\u011fururken \u00f6len annesinin su\u00e7lulu\u011fu, bir \u00e7ocuk i\u00e7in \u00e7ok b\u00fcy\u00fck olsa gerek. Onu k\u00fc\u00e7\u00fclten, kendisini ezilmi\u015f hissettiren bir duygulan\u0131m. Her ne kadar bu sadece kendisinin \u00f6yle zannetti\u011fi, var sayd\u0131\u011f\u0131 bir yan\u0131lg\u0131 olsa da kendi ba\u015f\u0131na kurtulman\u0131n \u00e7ok zor oldu\u011fu bir duygu da denebilir. \u00c7ok g\u00fc\u00e7l\u00fc, adil, her \u015feye g\u00fcc\u00fc yeten bir baban\u0131n g\u00f6lgesinde kalmak daha da ezilmeye yol a\u00e7ar oysa. A\u00e7\u0131yor da. Amir bu denli g\u00fc\u00e7l\u00fc bir baban\u0131n etkisinde daha da korkak ve beceriksiz oluyor. Yetersizlik duygusu korkakl\u0131\u011f\u0131n\u0131 besliyor. Babas\u0131n\u0131n Hasan\u2019 \u0131n cesaretini \u00f6vmesi de k\u0131skan\u00e7l\u0131k ve \u00f6fkeye neden oluyor. Babas\u0131n\u0131n g\u00f6z bebe\u011finde g\u00f6rd\u00fc\u011f\u00fc arkada\u015f\u0131na hiddetleniyor, zarar vermek istiyor.<\/p>\n\n\n\n

 Baba karakteri ger\u00e7ekten de do\u011fruluk ve cesaret timsali olarak yer al\u0131yor filmde. Siyasi g\u00f6r\u00fc\u015flerini \u00e7ekinmeden dile getiriyor. \u00c7ok zengin olmas\u0131na ra\u011fmen yan\u0131nda \u00e7al\u0131\u015fanlar\u0131 ezmeye \u00e7al\u0131\u015fmayan, onlar\u0131 dostu kabul eden bir adam. Mollalar \u00fczerine o\u011fluyla yapt\u0131\u011f\u0131 konu\u015fmada \u201c Hayatta bir tek g\u00fcnah var, o da h\u0131rs\u0131zl\u0131k. Di\u011fer b\u00fct\u00fcn g\u00fcnahlar h\u0131rs\u0131zl\u0131\u011f\u0131n bir t\u00fcrevidir. Bir insan\u0131 \u00f6ld\u00fcrd\u00fc\u011f\u00fcnde hayat\u0131n\u0131 \u00e7alm\u0131\u015f olursun. Kar\u0131s\u0131n\u0131n elinden kocas\u0131n\u0131, \u00e7ocuklar\u0131n\u0131n elinden babas\u0131n\u0131 \u00e7alm\u0131\u015f olursun. Yalan s\u00f6yledi\u011fin zaman insan\u0131n elinden ger\u00e7e\u011fi \u00f6\u011frenme hakk\u0131n\u0131 \u00e7alm\u0131\u015f olursun \u201d diyecek kadar adil. Afganistan\u2019 \u0131 terk ederken arabada onlarla yolculuk eden tan\u0131mad\u0131\u011f\u0131 bir kad\u0131nla \u2018 araban\u0131n \u00f6n\u00fcnde on be\u015f dakika ge\u00e7irmezse s\u0131n\u0131r\u0131 ge\u00e7melerine izin vermeyece\u011fini \u2019 s\u00f6yleyen Rus askerine \u00f6nce kendisini \u00f6ld\u00fcrmeden o kad\u0131na dokunamayaca\u011f\u0131n\u0131 s\u00f6yleyecek kadar g\u00f6z\u00fc kara. Filmin sonunda ortaya \u00e7\u0131kan s\u0131rlarla asl\u0131nda ba\u015fka ger\u00e7eklerle y\u00fczle\u015fse de Amir\u2019 in t\u00fcm \u00e7ocuklu\u011fu b\u00f6yle bir baba imgesi alt\u0131nda ge\u00e7iyor.<\/p>\n\n\n\n

 Oysa bu g\u00fc\u00e7l\u00fc baba g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fcn alt\u0131nda sevgi ve merhamet dolu bir adam ya\u015far. Amerika\u2019 da her t\u00fcrl\u00fc i\u015fte \u00e7al\u0131\u015farak o\u011flunu okutan. O\u011flunun mezuniyeti i\u00e7in \u00f6zenle haz\u0131rlan\u0131p g\u00f6zlerinde gurur ve mutlulukla t\u00f6reni izleyen.  Amir a\u015f\u0131k oldu\u011funda ona sevgiyle, \u015fefkatle bakan. Ve o\u011flunun d\u00fc\u011f\u00fcn\u00fcnde, asl\u0131nda \u00f6l\u00fcm d\u00f6\u015fe\u011finde olmas\u0131na ra\u011fmen dimdik duran. Afganistan\u2019 dan ayr\u0131l\u0131rken yan\u0131na ald\u0131\u011f\u0131 bir avu\u00e7 topra\u011f\u0131 son nefesine kadar yan\u0131nda ta\u015f\u0131yacak kadar duygusal bir baba vard\u0131r asl\u0131nda o g\u00fc\u00e7 timsali adam\u0131n i\u00e7inde.<\/p>\n\n\n\n

 Biyolojik baba \/  evlat \u00e7at\u0131\u015fmas\u0131n\u0131 sadece Amir ve babas\u0131n\u0131n \u00fczerinden de\u011fil bir\u00e7ok farkl\u0131 ili\u015fkide ele alm\u0131\u015f film. Hasan\u2019 \u0131n kendi babas\u0131yla, Amir\u2019 in babas\u0131yla ve en sonunda kendi o\u011fluyla olan ili\u015fkileri \u00e7ok alt katmanlarda yer alsa da onay \/ sevgi ikilemini g\u00fc\u00e7lendiren yan destekleyiciler olarak g\u00f6r\u00fclebilir. Amir\u2019 in kar\u0131s\u0131 da baba \/ k\u0131z \u00e7at\u0131\u015fmas\u0131n\u0131n k\u0131sa ama net, vurucu bir \u00f6rne\u011fi; feodal ve geleneksel babaya hem sorgusuz itaat eden hem ba\u015f kald\u0131ran Amerikal\u0131 – Afgan bir gen\u00e7 kad\u0131n. Filmin sonlar\u0131nda Hasan\u2019 \u0131n o\u011flunun s\u00f6zleriyse baba onay\u0131n\u0131n bir \u00e7ocuk i\u00e7in ne denli \u00f6nemli oldu\u011funun can al\u0131c\u0131 \u00f6rne\u011fi: Yetim bir \u00e7ocu\u011fun anne babas\u0131n\u0131n iyi ki \u00f6ld\u00fcklerini, kendisinin kirlendi\u011fini g\u00f6rmediklerini s\u00f6yledi\u011fi o \u201c d\u00fcnya bu kadar k\u00f6t\u00fc olmamal\u0131 \u201d dedirten an…   <\/p>\n\n\n\n

 \u0130deolojik Baba:<\/strong><\/p>\n\n\n\n

 Baba imgesi, her t\u00fcrl\u00fc iktidar\u0131 temsil eder diyebiliriz. Devlettir, ideolojidir, egemen ak\u0131ld\u0131r, Tanr\u0131\u2019 d\u0131r. Ancak belki de t\u00fcm bu d\u0131\u015f g\u00fc\u00e7lerden daha bask\u0131c\u0131, daha k\u0131y\u0131c\u0131 olan baba imgemiz, kendi \u00fcst benli\u011fimiz, vicdan\u0131m\u0131zd\u0131r. Her \u015feyi g\u00f6ren, bilen, sadece davran\u0131\u015flara de\u011fil fantezilere, r\u00fcyalara, arzulara bile ceza kesebilen i\u00e7imizdeki baban\u0131n sesidir. T\u00fcm bu erk a\u00e7\u0131l\u0131mlar\u0131 filmde sosyolojik \/ tarihsel bak\u0131\u015f a\u00e7\u0131s\u0131yla yer al\u0131yor. Hasan bir Hazara\u2019 l\u0131d\u0131r. Ger\u00e7ek Afgan say\u0131lmayan Hazara\u2019 l\u0131lar \u00fczerinden \u0131rk ayr\u0131m\u0131na tan\u0131k oluruz. Az\u0131nl\u0131k \u00fczerine bask\u0131 uygulayan toplumsal \u00e7o\u011funluk\u00e7u baba modeli de denebilir bu fa\u015fist yakla\u015f\u0131ma ki d\u00fcnya \u00fczerinde her co\u011frafyada \u00f6rnekleri \u00e7o\u011falt\u0131labilir. Daha sonra Rusya\u2019 n\u0131n i\u015fgali ile silah g\u00fcc\u00fcne sahip, \u015fiddet yanl\u0131s\u0131 eli sopal\u0131 baba imgesiyle tan\u0131\u015f\u0131r\u0131z.  Arabadaki gen\u00e7 Afgan kad\u0131n\u0131n\u0131 kendisine isteyen Rus askeri de bu baba imgesinin ete kemi\u011fe b\u00fcr\u00fcnm\u00fc\u015f hali olarak g\u00f6r\u00fclebilir. Taliban y\u00f6netiminin geli\u015fiyle Tanr\u0131 ad\u0131n\u0131 kullanarak iktidar\u0131 ele ge\u00e7iren yobaz, zorba baba sahneye \u00e7\u0131kar. Sokaklarda sakal kontrol\u00fc yapan, kad\u0131nlar\u0131 ta\u015flayan, can\u0131n\u0131n istedi\u011fini kur\u015funa dizen bu yobazlar\u0131n \u00e7ocuklar\u0131 parayla sat\u0131n almas\u0131, erkek k\u0131z demeden taciz etmesiyse filmin en y\u00fcrek yakan sahnelerini olu\u015fturuyor. Amir\u2019 in Hasan\u2019 a iftira etmesiyse i\u00e7sel baba imgesini, vicdan\u0131n\u0131 harekete ge\u00e7irir. Filmde ideoloji, yobazl\u0131k, fa\u015fizm, sava\u015f, vicdan azab\u0131 maskeleri alt\u0131ndaki baba imgeleri, iktidar\u0131n bask\u0131c\u0131 g\u00fcc\u00fc olarak yer al\u0131r. Her ideolojik baba kendi sopas\u0131n\u0131 ta\u015f\u0131r, kendi s\u00f6z\u00fcn\u00fc hayk\u0131r\u0131r. Afganistan, iktidar sava\u015f\u0131n\u0131n, ideolojik g\u00fc\u00e7 dengelerinin, erkin verdi\u011fi yetkiyle kullan\u0131lan \u015fiddetin par\u00e7alad\u0131\u011f\u0131, darmaduman etti\u011fi topraklar\u0131n h\u00fcz\u00fcnl\u00fc bir a\u011f\u0131t\u0131d\u0131r art\u0131k.<\/p>\n\n\n\n

 Bu Karma\u015f\u0131k D\u00fcnya, Kimiz Biz?<\/strong><\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

 Nar simgesel anlam\u0131 olan bir meyvedir. Bereketi ve bollu\u011fu simgeler. Adaleti simgeler. \u00c7oklu\u011fun i\u00e7indeki birli\u011fi, birli\u011fin i\u00e7indeki \u00e7oklu\u011fu anlat\u0131r. Amir ve Hasan bir nar a\u011fac\u0131n\u0131n alt\u0131nda bulu\u015fur s\u0131k s\u0131k. Orada masallar okur Amir. Kurak ve k\u0131ra\u00e7 bir arazideki k\u0131rm\u0131z\u0131 bir umut a\u011fac\u0131d\u0131r adeta. Dostluk, sevgi a\u011fac\u0131. Babal\u0131k da \u00f6ylece \u00e7oklu anlamlar ta\u015f\u0131r. Hem koruyucu g\u00fc\u00e7 hem de emredici buyruktur. Hem cesaret hem korku. Hem sevgi hem \u00f6l\u00fcm\u00fcne nefret. Burada yatan \u00e7oklu anlamlar\u0131 belki Amir\u2019 in Afganistan\u2019 dan ka\u00e7arken bir tankerin karanl\u0131k deposunda, babas\u0131n\u0131n kollar\u0131nda dillendirdi\u011fi Mevlana \u015fiiri anlat\u0131r bize en \u00e7ok:<\/p>\n\n\n\n

 Geldiysek buraya uyu\u015fuk kullar\u0131n\u0131zdan\u0131z.<\/p>\n\n\n\n

 Geldiysek uyanmaya, onun ellerindeyiz.<\/p>\n\n\n\n

 Geldiysek a\u011flamaya, bulutlar\u0131 ya\u011fmur dolar.<\/p>\n\n\n\n

 Geldiysek g\u00fclmeye, onun \u015fim\u015fe\u011fi oluruz.<\/p>\n\n\n\n

 Geldiysek \u00f6fkeye ve sava\u015fa, cevab\u0131 gazab\u0131 olur.<\/p>\n\n\n\n

 Geldiysek bar\u0131\u015fa ve af dilemeye, cevab\u0131 sevgi olur.<\/p>\n\n\n\n

 Bu karma\u015f\u0131k d\u00fcnya, kimiz biz?<\/p>\n\n\n\n

 * Bu yaz\u0131 Psikesinema Dergisi Babal\u0131k say\u0131s\u0131nda yay\u0131mlanm\u0131\u015ft\u0131r.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Bir zamanlar uzak bir Do\u011fu \u00fclkesinde \u00e7ok iyi anla\u015fan iki arkada\u015f ya\u015farm\u0131\u015f. Adlar\u0131 Amir ve Hasan\u2019 m\u0131\u015f. Her ne kadar zengin ve uygar bir mutluluk diyar\u0131 de\u011filse de bu \u00fclke, hen\u00fcz \u00e7ok g\u00fczel bir yermi\u015f. G\u00fclmek yasak de\u011filmi\u015f h\u00e2l\u00e2. \u00d6zg\u00fcrl\u00fc\u011f\u00fcn \u00f6l\u00fcmle yer de\u011fi\u015ftirmeden az \u00f6nceki zamanlar\u0131ym\u0131\u015f. \u00c7ocuklar sokaklarda \u00f6zg\u00fcrce ko\u015far, u\u00e7urtmalar u\u00e7ururmu\u015f.<\/p>\n","protected":false},"author":1,"featured_media":424,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[25],"class_list":["post-470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sinema-kosesi","tag-film"],"yoast_head":"\nU\u00e7urtma Avc\u0131s\u0131 | Dr. P\u0131nar \u00dcretmen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinaruretmen.com\/?p=470\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"U\u00e7urtma Avc\u0131s\u0131 | Dr. P\u0131nar \u00dcretmen\" \/>\n<meta property=\"og:description\" content=\"\u00a0Bir zamanlar uzak bir Do\u011fu \u00fclkesinde \u00e7ok iyi anla\u015fan iki arkada\u015f ya\u015farm\u0131\u015f. 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