{"id":465,"date":"2021-08-07T10:49:24","date_gmt":"2021-08-07T07:49:24","guid":{"rendered":"https:\/\/demo.pinaruretmen.com\/?p=465"},"modified":"2021-08-07T10:49:25","modified_gmt":"2021-08-07T07:49:25","slug":"bir-nefes-gibi","status":"publish","type":"post","link":"https:\/\/pinaruretmen.com\/?p=465","title":{"rendered":"Bir Nefes Gibi"},"content":{"rendered":"\n
\"bir-nefes-gibi-kitap\"
\u00a0Bir Nefes Gibi ya da \u0130mk\u00e2ns\u0131z A\u015fklara \u00d6vg\u00fc: Ferzan \u00d6zpetek<\/strong>
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\u201c\u00d6nemli olan hayat\u0131m\u0131z\u0131 nas\u0131l ya\u015fayaca\u011f\u0131m\u0131z de\u011fil,
kendimize ve ba\u015fkalar\u0131na onu nas\u0131l anlataca\u011f\u0131m\u0131zd\u0131r.\u201d
Harem Suare<\/em><\/p>\n\n\n\n

 Ingmar Bergman, insan\u0131n hayatta sadece bir kez ikinci bir \u015fans\u0131 olur diyordu, o da belki… Bir ikinci \u015fans verilseydi e\u011fer, ke\u015fkelerimizi de\u011fi\u015ftirebilir ya da \u00e7o\u011faltabilir miydik iyi ki dedi\u011fimiz anlar\u0131? Belki o kadar ge\u00e7 gelirdi ki o ikinci \u015fans, sadece hik\u00e2yemizi anlatacak ve af dileyecek kadar vakit tan\u0131rd\u0131 bize. Olsun, hik\u00e2yemiz dile geldi\u011fi \u015fekliyle ve anlat\u0131ld\u0131\u011f\u0131 s\u00fcrece var olmaya devam etmiyor mu sonu\u00e7ta? Ve ge\u00e7mi\u015fin hayaletleri ancak son ki\u015fi onlar\u0131 unutunca kar\u0131\u015fm\u0131yor mu karanl\u0131\u011fa?<\/p>\n\n\n\n

Ge\u00e7mi\u015fin hayaletleriyle birlikte g\u00f6lgede oturuyorum, diye yazar Elsa k\u0131z karde\u015fi Adele\u2019 ye son mektubunda. Bu kez okunaca\u011f\u0131 umuduyla i\u00e7ini d\u00f6kt\u00fc\u011f\u00fc, y\u0131llard\u0131r yazd\u0131\u011f\u0131 ama hi\u00e7 a\u00e7\u0131lmadan kendisine geri gelen mektuplar\u0131n sonuncusudur ve elli y\u0131ld\u0131r darg\u0131n oldu\u011fu karde\u015fine, ayn\u0131 elli y\u0131l boyunca g\u00f6n\u00fcll\u00fc s\u00fcrg\u00fcn oldu\u011fu \u00fclkesine, \u0130talya\u2019 ya son bir vedala\u015fma i\u00e7in d\u00f6nece\u011fini belirtir. Hayat\u0131ndaki o trajik hataya dair bir ikinci \u015fans yakalamak i\u00e7in belki de son \u015fans\u0131d\u0131r Elsa\u2019 n\u0131n. Bu mektup al\u0131c\u0131s\u0131na ula\u015famaz, ancak bu ziyaretle birlikte biz de, Elsa ve Adele\u2019 nin ge\u00e7mi\u015fine oldu\u011fu kadar Roma\u2019 da ya\u015fayan alt\u0131 arkada\u015f\u0131n dost sofras\u0131na dahil oluruz.
Ve hik\u00e2ye ba\u015flar.<\/p>\n\n\n\n

 Ferzan \u00d6zpetek\u2019 in son roman\u0131 Bir Nefes Gibi, May\u0131s 2020\u2019 de \u0130talya\u2019 da yay\u0131mland\u0131ktan sonra k\u0131sa bir s\u00fcrede \u00e7ok satanlar listesinde bir numaraya y\u00fckseldi. 23 Haziran\u2019 da da T\u00fcrk\u00e7eye Neval Barlas taraf\u0131ndan \u00e7evrilerek Can Yay\u0131nlar\u0131 etiketiyle \u00fclkemizde yay\u0131mlanan kitap, daha \u00e7ok y\u00f6netmen kimli\u011fiyle anlatt\u0131\u011f\u0131 hik\u00e2yelere a\u015fina oldu\u011fumuz sanat\u00e7\u0131n\u0131n \u00fc\u00e7\u00fcnc\u00fc roman\u0131. Elsa Corti\u2019 nin \u0130talya\u2019 da ba\u015flay\u0131p \u0130stanbul\u2019 a uzanan, s\u0131rlarla ve umutlarla oldu\u011fu kadar hayal k\u0131r\u0131kl\u0131klar\u0131yla dolu hayat\u0131n\u0131 okurken, bir yandan da karde\u015flik, dostluk, a\u015fk, sevgi, aldatma, samimiyet, \u00f6zg\u00fcrl\u00fck gibi bir\u00e7ok konuya yani insan olman\u0131n her haline kar\u015f\u0131 farkl\u0131 pencereler a\u00e7\u0131l\u0131yor \u00f6n\u00fcm\u00fczde. S\u0131rlar\u0131n, insan\u0131n kendinden bile gizledi\u011fi duygular\u0131n\u0131n, tutkular\u0131n, \u00f6fkenin, k\u0131skan\u00e7l\u0131\u011f\u0131n varl\u0131\u011f\u0131n\u0131, kimi suskun dudaklardaki \u015fifrelerle, bazen bir bak\u0131\u015f ya da sezi\u015fle, kimi zamansa her \u015feyi ele veren y\u00fczlerle anlat\u0131yor \u00d6zpetek.<\/p>\n\n\n\n

 Bir pazar g\u00fcn\u00fc, Roma\u2019 da, 1900\u2019 l\u00fc y\u0131llardan kalma bir evdeyiz. Ev sahipleri Sergio ve Giovanna mutfakta, hafta sonlar\u0131n\u0131n rutini bir dost davetine haz\u0131rlan\u0131yorlar \u00f6zenle. Masa alt\u0131 ki\u015fi i\u00e7in haz\u0131r oldu\u011fu s\u0131rada kap\u0131n\u0131n zili \u00e7al\u0131n\u0131yor ve arkada\u015flar\u0131n\u0131n geldi\u011fini d\u00fc\u015f\u00fcnerek kap\u0131y\u0131 a\u00e7an Sergio yetmi\u015fli ya\u015flar\u0131nda, son derece zarif bir kad\u0131n olan Elsa ile kar\u015f\u0131la\u015f\u0131yor. \u00dczerinde petrol mavisi \u015f\u0131k bir tak\u0131m ve antika tak\u0131larla ama en \u00e7ok da ye\u015fil, insan\u0131n i\u00e7ine i\u015fleyen g\u00f6zleriyle, evi iki y\u0131l \u00f6nce sat\u0131n ald\u0131klar\u0131 Adele\u2019 yi, yani karde\u015fini arad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Asl\u0131nda yabanc\u0131larla hemen samimi olmaya al\u0131\u015fk\u0131n olmayan Sergio, -a\u00e7\u0131klanamaz bir sempatiyle- Elsa\u2019 y\u0131 i\u00e7eriye davet ediyor. Bu davet, masaya bir tabak ve kadeh daha eklenmesine ve alt\u0131 samimi arkada\u015f\u0131n Elsa\u2019 n\u0131n ve elli y\u0131ld\u0131r darg\u0131n oldu\u011fu Adele\u2019 nin hayat hik\u00e2yelerine tan\u0131kl\u0131k etmesine bir girizg\u00e2h oluyor. Biz de Roma\u2019 da ki evin mutfa\u011f\u0131nda hem iki karde\u015fin hem de alt\u0131 arkada\u015f\u0131n s\u0131rlarla dolu hayatlar\u0131na dahil olurken, bir yandan da Elsa\u2019 n\u0131n karde\u015fine yaz\u0131lm\u0131\u015f ama hi\u00e7 okunmam\u0131\u015f mektuplara ilk elden tan\u0131kl\u0131k ederek \u0130talya\u2019 dan \u0130stanbul\u2019 a uzanan ve Roma\u2019 ya d\u00f6nen bir ge\u00e7mi\u015fte, nefessiz bir yolculuk yap\u0131yoruz. <\/p>\n\n\n\n

\"\" Roman, iki farkl\u0131 zaman\u0131 iki farkl\u0131 anlat\u0131 tekni\u011fiyle aktar\u0131yor. Baz\u0131 b\u00f6l\u00fcmler Elsa\u2019 n\u0131n yazd\u0131\u011f\u0131 mektuplardan olu\u015fuyor. Bu b\u00f6l\u00fcmler anlat\u0131n\u0131n ge\u00e7mi\u015f zaman\u0131n\u0131 olu\u015fturuyor. Roma\u2019 da ki mutfakta ge\u00e7en olaylar ise \u015fimdiki zamanda ve Tanr\u0131 anlat\u0131c\u0131 taraf\u0131ndan aktar\u0131l\u0131yor. B\u00f6ylelikle i\u00e7 i\u00e7e ge\u00e7en iki ayr\u0131 anlat\u0131ya tan\u0131k oluyoruz. Mektuplar, iki k\u0131z karde\u015fin bir b\u00fct\u00fcn\u00fcn ayr\u0131lmaz iki par\u00e7as\u0131yken, elli y\u0131l boyunca birbirlerinin y\u00fcz\u00fcne bakmayacak kadar kopmalar\u0131n\u0131n ve bu d\u00f6nem boyunca Elsa\u2019 n\u0131n \u0130stanbul\u2019 da ki hayat\u0131n\u0131n anlat\u0131s\u0131. Di\u011fer k\u0131s\u0131mlarsa bir Pazar yeme\u011finde bulu\u015facak olan evli \u00fc\u00e7 \u00e7iftin s\u0131rlarla ve aldatmacalarla dolu hayatlar\u0131. Roman\u0131n anlat\u0131 zaman\u0131 k\u0131sac\u0131k bir pazar \u00f6\u011fleden sonras\u0131na s\u0131n\u0131rl\u0131 olsa da Elsa\u2019 n\u0131n mektuplar\u0131 ve Adele\u2019 nin an\u0131lar\u0131yla birlikte yetmi\u015f y\u0131ll\u0131k bir s\u00fcrece tan\u0131k oluyoruz. Bu zaman zarf\u0131nda sadece ki\u015fisel hik\u00e2yelerin de\u011fil, de\u011fi\u015fen bir \u00e7a\u011f\u0131n, adetlerin, anlay\u0131\u015flar\u0131n, \u015fehirlerin d\u00f6n\u00fc\u015f\u00fcm\u00fcne de e\u015flik ediyoruz. \u00d6zellikle \u0130stanbul bu de\u011fi\u015fimin en g\u00fczel sahnesi olarak betimleniyor. T\u00fcm g\u00fczellikleriyle \u0130stanbul var romanda, Bo\u011faz\u0131, yal\u0131lar\u0131, hamamlar\u0131, yemekleri, sokaklar\u0131yla 1970\u2019 li y\u0131llar\u0131n \u0130stanbul\u2019 u hem de.<\/p>\n\n\n\n

 Bat\u0131 edebiyat\u0131nda kurmacan\u0131n zemini temel olarak \u00fc\u00e7 kar\u015f\u0131tl\u0131k \u00fczerine kuruludur: mutluluk \/ bedbahtl\u0131k, bilmek \/ bilmemek ve beklenen \/ beklenmeyen z\u0131tl\u0131\u011f\u0131. Aristo\u2019 nun kurallar\u0131n\u0131 belirledi\u011fi bu \u00fc\u00e7 kar\u015f\u0131tl\u0131k, antik tragedyalarda oldu\u011fu gibi modern romanda da yer al\u0131r. Ger\u00e7ek hayatta ba\u015f\u0131m\u0131za gelen mutluluklar ya da mutsuzluklar her zaman bir nedene ba\u011flanmayabilir. Ger\u00e7ek d\u00fcnyada ba\u015fkalar\u0131n\u0131n zihinlerini okuyamad\u0131\u011f\u0131m\u0131z, ba\u015fka yerde yap\u0131lan konu\u015fmalar\u0131 duyamad\u0131\u011f\u0131m\u0131z ya da al\u0131c\u0131s\u0131 taraf\u0131ndan hi\u00e7 a\u00e7\u0131lmam\u0131\u015f mektuplar\u0131 okuyamad\u0131\u011f\u0131m\u0131z i\u00e7in neden – sonu\u00e7 ili\u015fkisini her zaman kuramayabiliriz. Ama kurmacalarda bir neden sonu\u00e7 ba\u011flant\u0131s\u0131n\u0131 arayarak ya da olaylar\u0131 ard\u0131\u015f\u0131k s\u0131rada eklemleyerek yol al\u0131r\u0131z. Belki bu nedenle kurmaca edebiyat, ger\u00e7ek hayattan daha rasyoneldir Aristo\u2019 nun dedi\u011fi gibi. \u00d6zpetek’ de her ne kadar nedensellik s\u00fcre\u00e7lerini i\u015faret etse de okurun i\u00e7inde \u00f6zg\u00fcrce hayal kurabilece\u011fi, par\u00e7alar\u0131 birle\u015ftirip kendi anlam\u0131n\u0131 yaratabilece\u011fi bir hareket mek\u00e2n\u0131 b\u0131rakarak yarat\u0131c\u0131 okura alan a\u00e7m\u0131\u015f. \u00d6zellikle romanda yer alan nesneler, iki karde\u015fin olaylar\u0131 kendi bak\u0131\u015f a\u00e7\u0131lar\u0131yla aktar\u0131m\u0131 ve anlat\u0131n\u0131n sonunda yer alan sigara a\u011f\u0131zl\u0131\u011f\u0131 gibi detaylarla, hik\u00e2ye her okurda \u00e7o\u011falarak devam ediyor.<\/p>\n\n\n\n

 Her ne kadar olaylara odaklansak da asl\u0131nda roman\u0131n ana zemini insan ili\u015fkileri \u00fczerine kurulu. \u00d6zellikle de ili\u015fkiler i\u00e7inde dillendirilemeyen, susulan, yok say\u0131lan detaylar yani bir anlamda ileti\u015fimsizlik anlar\u0131 \u00fczerine. Ger\u00e7e\u011fin ve yalan\u0131n, d\u00fcr\u00fcstl\u00fck ve aldatman\u0131n temas noktas\u0131 oras\u0131. \u0130nsan\u0131n kar\u015f\u0131s\u0131ndakini oldu\u011fu kadar kendisini de kand\u0131rmaya ba\u015flad\u0131\u011f\u0131 yer yani. Oysa ger\u00e7eklik, her zaman g\u00f6r\u00fcnenden farkl\u0131d\u0131r. \u00d6zellikle de insan ili\u015fkilerinde. \u00d6nyarg\u0131lar, ki\u015fisel duygular, \u00f6nceki ya\u015fanm\u0131\u015fl\u0131klar\u0131n tortular\u0131 girer araya bazen. Bazen bak\u0131\u015f a\u00e7\u0131m\u0131z nedeniyle fark edemeyiz g\u00f6lgede kalanlar\u0131. Kimi zamansa apa\u00e7\u0131k ortada olan\u0131 g\u00f6rmeyiz, bilmeyiz ya da bilmek istemeyiz. Bilmemekle bilmezden gelmek aras\u0131nda ince bir \u00e7izgi vard\u0131r ama b\u00fct\u00fcn d\u00fc\u011f\u00fcm orada sakl\u0131d\u0131r. \u0130nsan ba\u015fa \u00e7\u0131kamayaca\u011f\u0131n\u0131 ya da d\u00fczenini bozaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc ger\u00e7ekler kar\u015f\u0131s\u0131nda bazen k\u00f6r ve sa\u011f\u0131r olmay\u0131 se\u00e7er. A\u00e7\u0131k a\u00e7\u0131k dile getirilene kadar yok sayar. Asl\u0131nda s\u00f6zden \u00e7ok daha ilksel bir ileti\u015fimde gizlidir ve dile d\u00f6k\u00fclmeden s\u00f6ylenmi\u015ftir her ne varsa: s\u0131rlar\u0131n ala\u015fa\u011f\u0131 edildi\u011fi yer s\u00f6zel de\u011fil sezgiseldir. Geli\u015fimsel psikolojinin de ortaya koydu\u011fu gibi, bu sezgisel alan anne ile bebe\u011fin ilk ileti\u015fimiyle in\u015fa edilir, bak\u0131\u015flarla kurulan o ilk ba\u011fda temellenir ve daha sonraki hemen her ili\u015fki bu ilk bak\u0131\u015ftaki g\u00fcven ya da yetersizlik duygusu \u00fczerine kurulur. Elsa ve Adele\u2019 nin annelerinin de migren krizleri e\u015fli\u011finde ya\u015fad\u0131\u011f\u0131 bipolar ki\u015filik bozuklu\u011fu ve bu nedenle evden uzakla\u015fan baba fig\u00fcr\u00fc de ya\u015fanacak olan imkans\u0131z a\u015fklar\u0131n\u0131n bir \u00f6nc\u00fcl\u00fcd\u00fcr adeta. Ferzan \u00d6zpetek’ de dile gelmeyen, s\u00f6ze d\u00f6k\u00fclmeyen ama sezgisel d\u00fczlemde var olan insan ili\u015fkilerini ele al\u0131rken, karakterler aras\u0131ndaki \u00e7oklu ve karma\u015f\u0131k ili\u015fkiler a\u011f\u0131n\u0131 bir ipek b\u00f6ce\u011finin hassas dokunu\u015fuyla i\u015fliyor. \u0130ki k\u0131z karde\u015fin oldu\u011fu kadar dost sofralar\u0131na misafir oldu\u011fumuz alt\u0131 arkada\u015f\u0131n da s\u0131rlarla dolu ili\u015fkilerinde bu
 \u201c bilmemeyi tercih etme \u201d durumuna \u015fahitlik ediyoruz. Anlat\u0131 boyunca bazen s\u0131rlara a\u00e7\u0131k a\u00e7\u0131k tan\u0131k oluyoruz mesela evli bir adam\u0131n arkada\u015f\u0131yla olan gizli ayn\u0131 -cinsel ili\u015fkisini ya da bir bak\u0131\u015fmayla m\u00fch\u00fcrlenen su\u00e7 ortakl\u0131\u011f\u0131n\u0131n a\u011f\u0131rl\u0131\u011f\u0131yla kopan karde\u015flik ba\u011f\u0131n\u0131 a\u00e7\u0131k se\u00e7ik g\u00f6r\u00fcyoruz. Kimi zamansa roman karakterlerinin bile bilmedi\u011fi s\u0131rlar\u0131n\u0131 seziyoruz sat\u0131r aralar\u0131nda, mesela Adele\u2019 yi deliler gibi sevdi\u011fini dile getiren Elsa\u2019 n\u0131n \u0130talya\u2019 dan ayr\u0131l\u0131r ayr\u0131lmaz hemen bamba\u015fka bir kad\u0131na d\u00f6n\u00fc\u015fmesinde, g\u00f6lgesinin endam\u0131n\u0131n bile de\u011fi\u015fmesinde, asl\u0131nda ablas\u0131n\u0131 ne kadar k\u0131skand\u0131\u011f\u0131n\u0131 ve onar\u0131lmaz -gizli nefretini g\u00f6rebiliyoruz. \u201c G\u00f6lgem bile de\u011fi\u015fti desem inan\u0131r m\u0131s\u0131n? Yolda y\u00fcr\u00fcrken g\u00f6zucuyla, kald\u0131r\u0131mda pe\u015fims\u0131ra geldi\u011fini g\u00f6rd\u00fc\u011f\u00fcm o karalt\u0131 eskisinden o kadar farkl\u0131 ki, en c\u00fcretk\u00e2r hayallerimin de \u00f6tesinde bamba\u015fka birine ait gibi. ( Sayfa 38 ) \u201d \u0130stanbul\u2019 a giden kad\u0131n o sessiz, \u00e7ekingen Elsa de\u011fil de sanki herkesin hayran oldu\u011fu g\u00fczel Adele, belki de onun ikiz g\u00f6lgesi. Elsa, vurdumduymazl\u0131k z\u0131rh\u0131 alt\u0131na gizliyor i\u00e7indeki \u00f6fkeyi ve bencilli\u011fi. T\u00fcm kurallar\u0131 y\u0131karak, g\u00fcn\u00fcn\u00fc g\u00fcn ederek ve \u00e7apk\u0131nl\u0131klarla bir \u00f6m\u00fcr t\u00fcketerek al\u0131yor \u00f6c\u00fcn\u00fc hem ablas\u0131ndan hem kendinden. Biraz durulmas\u0131n\u0131, sakinle\u015fmesini sa\u011flayansa bedeni gibi ruhunu da ar\u0131nd\u0131ran bir hamam oluyor: Sultan’ \u0131n Aynal\u0131 Hamam\u0131.<\/p>\n\n\n\n

 Roman hem ana izle\u011fi hem de psikolojik alt yap\u0131s\u0131yla s\u0131rlarla dolu ve heyecanl\u0131 bir macera vadetse bile, biraz daha gizemli bir bulmacan\u0131n i\u00e7inde yol almak isterseniz son Osmanl\u0131 Padi\u015fah\u0131’ n\u0131n haremini, bir tren gar\u0131nda anlat\u0131lan hayat hik\u00e2yesini, \u0130stanbul\u2019 daki Aynal\u0131 Sultan  Hamam\u0131’ n\u0131, sand\u0131ktaki g\u00fcnl\u00fc\u011f\u00fc, m\u00fch\u00fcrl\u00fc alt\u0131n y\u00fcz\u00fc\u011f\u00fc, hi\u00e7 a\u00e7\u0131lmam\u0131\u015f sararm\u0131\u015f mektuplar\u0131, k\u0131z karde\u015fiyle darg\u0131n \u0130stanbul\u2019 a giden \u0130talyan kad\u0131n\u0131, bir ucu parma\u011fa ge\u00e7irilen sigara a\u011f\u0131zl\u0131\u011f\u0131n\u0131 takip edebilir, onlar\u0131n pe\u015fi s\u0131ra Hamam, Harem Suare, Cahil Periler, \u0130stanbul K\u0131rm\u0131z\u0131s\u0131, Napoli\u2019 nin S\u0131rr\u0131 ve Kar\u015f\u0131 Pencere\u2019 de yapbozun par\u00e7alar\u0131n\u0131 tamamlayabilirsiniz. Eminim ki bundan daha fazlas\u0131n\u0131 siz bulacaks\u0131n\u0131z sat\u0131r aralar\u0131nda ama ben \u00f6zellikle sigara a\u011f\u0131zl\u0131\u011f\u0131n\u0131n pe\u015fine tak\u0131larak polisiye gerilim tad\u0131nda bir sona ula\u015fmay\u0131 ve o son sayfadan bir sarmal gibi ba\u015fa d\u00f6nmeyi \u00e7ok sevdim. De\u011fil mi ki \u201c Uzun sand\u0131\u011f\u0131m\u0131z hayat\u0131m\u0131z bir nefes kadar k\u0131sa\u2026 Ve pek \u00e7ok \u015feyi ya\u015farken bir nefes gibi i\u00e7imizde tutuyoruz.\u201d *<\/p>\n\n\n\n

 K\u0131sac\u0131k bir dipnot olarak: Ferzan \u00d6zpetek bu hik\u00e2yeyi filme \u00e7ekti\u011finde istedi\u011fi m\u00fczikleri, -kim bilir belki bir Sezen Aksu \u015fark\u0131s\u0131n\u0131- ekleyecektir. Ama ben erkenci bir heyecanla, \u201c bizim karde\u015fimle aram\u0131zda s\u0131r olmad\u0131 hi\u00e7,\u201d diyen kad\u0131n\u0131n arkas\u0131ndan
 \u201c Ben bu y\u00fczden hi\u00e7 kimseden gitmem gidemem
   Unutamam ac\u0131 tatl\u0131 ne varsa hazinemdir \u201d **
diye m\u0131r\u0131ldanarak ve Elsa\u2019 n\u0131n mektubundan emanet ald\u0131\u011f\u0131m Naz\u0131m\u2019 \u0131n G\u00fcz \u015fiiriyle seslenmek istedim.
 \u201c G\u00fcnler gitgide k\u0131sal\u0131yor,
   Ya\u011fmurlar ba\u015flamak \u00fczere.
   Kap\u0131m ard\u0131na kadar a\u00e7\u0131k bekledi seni.
   Niye b\u00f6yle ge\u00e7 kald\u0131n? \u201d<\/p>\n\n\n\n

 *Ferzan \u00d6zpetek – Ay\u015fe Arman r\u00f6portaj\u0131<\/p>\n\n\n\n

 **Sezen Aksu \/ Gidemem<\/p>\n\n\n\n

 Bu yaz\u0131 Gazete Duvar\u2019 da 02.08.2020 tarihinde yay\u0131mlanm\u0131\u015ft\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Ingmar Bergman, insan\u0131n hayatta sadece bir kez ikinci bir \u015fans\u0131 olur diyordu, o da belki… Bir ikinci \u015fans verilseydi e\u011fer, ke\u015fkelerimizi de\u011fi\u015ftirebilir ya da \u00e7o\u011faltabilir miydik iyi ki dedi\u011fimiz anlar\u0131? Belki o kadar ge\u00e7 gelirdi ki o ikinci \u015fans, sadece hik\u00e2yemizi anlatacak ve af dileyecek kadar vakit tan\u0131rd\u0131 bize. Olsun, hik\u00e2yemiz dile geldi\u011fi \u015fekliyle ve anlat\u0131ld\u0131\u011f\u0131 s\u00fcrece var olmaya devam etmiyor mu sonu\u00e7ta? Ve ge\u00e7mi\u015fin hayaletleri ancak son ki\u015fi onlar\u0131 unutunca kar\u0131\u015fm\u0131yor mu karanl\u0131\u011fa?<\/p>\n","protected":false},"author":1,"featured_media":414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-okuma-kosesi"],"yoast_head":"\nBir Nefes Gibi | Dr. P\u0131nar \u00dcretmen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pinaruretmen.com\/?p=465\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bir Nefes Gibi | Dr. P\u0131nar \u00dcretmen\" \/>\n<meta property=\"og:description\" content=\"\u00a0Ingmar Bergman, insan\u0131n hayatta sadece bir kez ikinci bir \u015fans\u0131 olur diyordu, o da belki... 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